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TAYLOR SWIFT | THE ERAS TOUR

TAYLOR SWIFT | THE ERAS TOUR

Music · 2023

A concert film documenting Taylor Swift's record-breaking Eras Tour (2023-2024). Filmed during the Los Angeles shows, the film captures the tour's ten acts, each representing a different musical era from Swift's career. The film showcases over 40 songs, elaborate stage productions, and Swift's performance.

Movie details

TAYLOR SWIFT | THE ERAS TOUR

“It's been a long time coming.”

2023 Music 2h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

8.0 / 10

26.3K votes

Metacritic

82 / 100

Metascore

TMDB

8.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A concert film documenting Taylor Swift's record-breaking Eras Tour (2023-2024). Filmed during the Los Angeles shows, the film captures the tour's ten acts, each representing a different musical era from Swift's career. The film showcases over 40 songs, elaborate stage productions, and Swift's performance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over TAYLOR SWIFT | THE ERAS TOUR?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sam Wrench

Taylor Swift

Taylor Swift

Self

Mike Meadows

Mike Meadows

Self - Co-Band Leader, Guitar, Keyboards

Max Bernstein

Max Bernstein

Self - Co-Band Leader, Guitar, Keyboards

Paul Sidoti

Paul Sidoti

Self - Guitar

Amos Heller

Amos Heller

Self - Bass, Keyboard Bass

Matt Billingslea

Matt Billingslea

Self - Drums

Karina DePiano

Karina DePiano

Self - Keyboards

Court is in session

Put TAYLOR SWIFT | THE ERAS TOUR on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.