The defence The Adrenaline Seeker
“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.
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The Crimson Pirate
Adventure · Comedy · 1952
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure involving prison breaks, an oddball scientist, sailing ships, naval fights and tons of swordplay.
Movie details
The Crimson Pirate
“MAN OF NINE LIVES AND 1000 SURPRISES!”
1952 Adventure · Comedy 1h 45m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure involving prison breaks, an oddball scientist, sailing ships, naval fights and tons of swordplay.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Crimson Pirate?
For the defence
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Robert Siodmak
Written by
Roland Kibbee
Burt Lancaster
Capt. Vallo (The Crimson Pirate)
Nick Cravat
Ojo
Eva Bartok
Consuelo
Torin Thatcher
Humble Bellows
James Hayter
Prof. Prudence
Leslie Bradley
Baron Jose Gruda
Margot Grahame
Bianca
Court is in session
Put The Crimson Pirate on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.