The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
The Amityville Horror
Horror · 1979
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Victorian mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.
Movie details
The Amityville Horror
“For God's sake, get out!”
1979 Horror 1h 58m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Victorian mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Amityville Horror?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
House of 1000 Corpses
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And Now the Screaming Starts!
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Paranormal Activity: Next of Kin
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Stephanie
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After a mysterious global crisis, a young girl is left alone to hide from a malevolent power that stalks her home. Her parents eventually return and the struggle begins to save their daughter.
Apostle
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In 1905, a man travels to a remote island in search of his missing sister who has been kidnapped by a mysterious religious cult.
Mirrors
Horror · 2008
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
The Believers
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Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.
A Nightmare on Elm Street
Horror · 1984
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
A Nightmare on Elm Street 3: Dream Warriors
Horror · 1987
A psychiatrist, familiar with the knife-wielding dream demon Freddy Krueger, helps teens at a mental hospital battle the killer who is invading their dreams.
Fright
Horror · 1971
Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution.
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Names above the title
The people responsible.
Cast & crew
Directed by
Stuart Rosenberg
Written by
Sandor Stern
James Brolin
George Lutz
Margot Kidder
Kathy Lutz
Rod Steiger
Father Delaney
Don Stroud
Father Richard Bolen
Murray Hamilton
Father Ryan
John Larch
Father Nuncio
Natasha Ryan
Amy
Court is in session
Put The Amityville Horror on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.