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Macbeth

Macbeth

War · Drama · 1971

Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.

Movie details

Macbeth

1971 War · Drama 2h 21m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Macbeth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Tragedy of Macbeth

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Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Julia

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Mary Queen of Scots

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The Last Duel

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May December

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Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.

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Names above the title

The people responsible.

Directed by

Roman Polanski

Written by

Kenneth Tynan · Roman Polanski

Jon Finch

Jon Finch

Macbeth

Francesca Annis

Francesca Annis

Lady Macbeth

Martin Shaw

Martin Shaw

Banquo

John Stride

John Stride

Ross

N

Nicholas Selby

Duncan

Terence Bayler

Terence Bayler

Macduff

Stephan Chase

Stephan Chase

Malcolm

Court is in session

Put Macbeth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.