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A League of Their Own

A League of Their Own

Comedy · Drama · 1992

As America's stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up in the Midwest, funded by publicity-hungry candy maker Walter Harvey. Competitive sisters Dottie Hinson and Kit Keller spar with each other, scout Ernie Capadino and grumpy has-been coach Jimmy Dugan on their way to fame.

Movie details

A League of Their Own

“Once in a lifetime you get a chance to do something different.”

1992 Comedy · Drama 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

As America's stock of athletic young men is depleted during World War II, a professional all-female baseball league springs up in the Midwest, funded by publicity-hungry candy maker Walter Harvey. Competitive sisters Dottie Hinson and Kit Keller spar with each other, scout Ernie Capadino and grumpy has-been coach Jimmy Dugan on their way to fame.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A League of Their Own?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Penny Marshall

Written by

Lowell Ganz · Babaloo Mandel · Kim Wilson · Kelly Candaele

Tom Hanks

Tom Hanks

Jimmy Dugan

Geena Davis

Geena Davis

Dottie Hinson (C)

Lori Petty

Lori Petty

Kit Keller (P)

Madonna

Madonna

Mae Mordabito (CF)

Rosie O'Donnell

Rosie O'Donnell

Doris Murphy (3B)

Megan Cavanagh

Megan Cavanagh

Marla Hooch (2B)

Tracy Reiner

Tracy Reiner

Betty Horn (LF/P)

Court is in session

Put A League of Their Own on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.