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In My Father's Den

In My Father's Den

Drama · Mystery · Thriller · 2004

War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.

Movie details

In My Father's Den

“Who you set out to be isn't always who you become.”

2004 Drama · Mystery · Thriller 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In My Father's Den?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Brad McGann

Written by

Brad McGann

Matthew Macfadyen

Matthew Macfadyen

Paul Prior

Emily Barclay

Emily Barclay

Celia

Miranda Otto

Miranda Otto

Penny Prior

Colin Moy

Colin Moy

Andrew Prior

J

Jimmy Keen

Jonathan

Jodie Rimmer

Jodie Rimmer

Jackie

Matthew Chamberlain

Matthew Chamberlain

Jeff

Court is in session

Put In My Father's Den on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.