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Freeway

Freeway

Comedy · Crime · Thriller · 1996

Following the arrest of her mother, Ramona, young Vanessa Lutz decides to go in search of her estranged grandmother. On the way, she is given a ride by school counselor Bob Wolverton. During the journey, Lutz begins to realize that Bob is the notorious I-5 Killer and manages to escape by shooting him several times. Wounded but still very much alive, Bob pursues Lutz across the state in this modern retelling of Little Red Riding Hood.

Movie details

Freeway

“Her life is no fairy tale.”

1996 Comedy · Crime · Thriller 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Following the arrest of her mother, Ramona, young Vanessa Lutz decides to go in search of her estranged grandmother. On the way, she is given a ride by school counselor Bob Wolverton. During the journey, Lutz begins to realize that Bob is the notorious I-5 Killer and manages to escape by shooting him several times. Wounded but still very much alive, Bob pursues Lutz across the state in this modern retelling of Little Red Riding Hood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Freeway?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Matthew Bright

Written by

Matthew Bright

Kiefer Sutherland

Kiefer Sutherland

Bob Wolverton

Reese Witherspoon

Reese Witherspoon

Vanessa Lutz

Wolfgang Bodison

Wolfgang Bodison

Detective Breer

Dan Hedaya

Dan Hedaya

Detective Wallace

Amanda Plummer

Amanda Plummer

Ramona Lutz

Brooke Shields

Brooke Shields

Mrs. Wolverton

Michael T. Weiss

Michael T. Weiss

Larry

Court is in session

Put Freeway on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.