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The Family

The Family

Crime · Comedy · Action · 2013

After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.

Movie details

The Family

“Some call it organized crime. Others call it family.”

2013 Crime · Comedy · Action 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Family?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Luc Besson

Written by

Luc Besson · Michael Caleo

Robert De Niro

Robert De Niro

Fred Blake / Giovanni Manzoni

Michelle Pfeiffer

Michelle Pfeiffer

Maggie Blake

Tommy Lee Jones

Tommy Lee Jones

FBI Agent Robert Stansfield

Dianna Agron

Dianna Agron

Belle Blake

John D'Leo

John D'Leo

Warren Blake

Jon Freda

Jon Freda

Rocco

David Belle

David Belle

Mezzo

Court is in session

Put The Family on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.