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Peeping Tom

Peeping Tom

Thriller · Horror · 1960

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

Movie details

Peeping Tom

“What made this the most diabolical murder weapon ever used?”

1960 Thriller · Horror 1h 41m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Peeping Tom?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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After a former model is drowned in her bathtub, Detective James Halloran and Lieutenant Dan Muldoon attempt to piece together her murder.

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Monkey’s Magic Merry Go Round

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The Haunting

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The Raven

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Powell

Written by

Leo Marks

Karlheinz Böhm

Karlheinz Böhm

Mark Lewis

Moira Shearer

Moira Shearer

Vivian

Anna Massey

Anna Massey

Helen Stephens

Maxine Audley

Maxine Audley

Mrs. Stephens

Brenda Bruce

Brenda Bruce

Dora

Miles Malleson

Miles Malleson

Elderly Gentleman Customer

Esmond Knight

Esmond Knight

Arthur Baden

Court is in session

Put Peeping Tom on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.