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The Electric Horseman

The Electric Horseman

Drama · Romance · Comedy · 1979

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Movie details

The Electric Horseman

“He's a washed-up loser. But sometimes losers can be heroes...”

1979 Drama · Romance · Comedy 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Electric Horseman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sydney Pollack

Written by

Robert Garland

Robert Redford

Robert Redford

Sonny

Jane Fonda

Jane Fonda

Hallie

Valerie Perrine

Valerie Perrine

Charlotta

Willie Nelson

Willie Nelson

Wendell

John Saxon

John Saxon

Hunt Sears

Nicolas Coster

Nicolas Coster

Fitzgerald

Allan Arbus

Allan Arbus

Danny

Court is in session

Put The Electric Horseman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.