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Human Traffic

Human Traffic

Comedy · Drama · 1999

For Jip, Lulu, Koop, Nina, and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.

Movie details

Human Traffic

“The weekend has landed.”

1999 Comedy · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

For Jip, Lulu, Koop, Nina, and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Human Traffic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Justin Kerrigan

Written by

Justin Kerrigan

John Simm

John Simm

Jip

Shaun Parkes

Shaun Parkes

Koop

Nicola Reynolds

Nicola Reynolds

Nina

Lorraine Pilkington

Lorraine Pilkington

Lulu

Danny Dyer

Danny Dyer

Moff

D

Dean Davies

Lee

Andrew Lincoln

Andrew Lincoln

Felix

Court is in session

Put Human Traffic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.