The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Human Traffic
Comedy · Drama · 1999
For Jip, Lulu, Koop, Nina, and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
Movie details
Human Traffic
“The weekend has landed.”
1999 Comedy · Drama 1h 40m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
For Jip, Lulu, Koop, Nina, and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Human Traffic?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Justin Kerrigan
Written by
Justin Kerrigan
John Simm
Jip
Shaun Parkes
Koop
Nicola Reynolds
Nina
Lorraine Pilkington
Lulu
Danny Dyer
Moff
D
Dean Davies
Lee
Andrew Lincoln
Felix
Court is in session
Put Human Traffic on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.