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Internal Affairs

Internal Affairs

Crime · Drama · 1990

Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.

Movie details

Internal Affairs

“Trust him... he's a cop.”

1990 Crime · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Internal Affairs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Figgis

Written by

Henry Bean

Richard Gere

Richard Gere

Dennis Peck

Andy Garcia

Andy Garcia

Raymond Avila

Nancy Travis

Nancy Travis

Kathleen Avila

Laurie Metcalf

Laurie Metcalf

Amy Wallace

Richard Bradford

Richard Bradford

Grieb

William Baldwin

William Baldwin

Van Stretch

Michael Beach

Michael Beach

Dorian Fletcher

Court is in session

Put Internal Affairs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.