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Major Payne

Major Payne

Adventure · Comedy · Family · 1995

Major Benson Winifred Payne is being discharged from the Marines. Payne is a killin' machine, but the wars of the world are no longer fought on the battlefield. A career Marine, he has no idea what to do as a civilian, so his commander finds him a job - commanding officer of a local school's JROTC program, a bunch of ragtag losers with no hope.

Movie details

Major Payne

“He's looking for a few good men... or a few guys old enough to shave.”

1995 Adventure · Comedy · Family 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Major Benson Winifred Payne is being discharged from the Marines. Payne is a killin' machine, but the wars of the world are no longer fought on the battlefield. A career Marine, he has no idea what to do as a civilian, so his commander finds him a job - commanding officer of a local school's JROTC program, a bunch of ragtag losers with no hope.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Major Payne?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Nick Castle

Written by

Dean Lorey · Damon Wayans · Gary Rosen

Damon Wayans

Damon Wayans

Maj. Benson Payne

Karyn Parsons

Karyn Parsons

Emily Walburn

William Hickey

William Hickey

Dr. Phillips

Michael Ironside

Michael Ironside

Lt. Col. Stone

Albert Hall

Albert Hall

Gen. Decker

Steven Martini

Steven Martini

Cadet Alex Stone

Chris Owen

Chris Owen

Cadet Wuliger

Court is in session

Put Major Payne on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.