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Water Lilies

Water Lilies

Drama · Romance · 2007

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

Movie details

Water Lilies

2007 Drama · Romance 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Water Lilies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Céline Sciamma

Written by

Céline Sciamma

Pauline Acquart

Pauline Acquart

Marie

Louise Blachère

Louise Blachère

Anne

Adèle Haenel

Adèle Haenel

Floriane

Warren Jacquin

Warren Jacquin

François

Christel Baras

Christel Baras

L'inspectrice

Marie Gili-Pierre

Marie Gili-Pierre

La caissière

Alice de Lencquesaing

Alice de Lencquesaing

Fille vestiaire

Court is in session

Put Water Lilies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.