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Re-Kill

Re-Kill

Horror · Science Fiction · 2015

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

Movie details

Re-Kill

“We are the endangered species.”

2015 Horror · Science Fiction 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Re-Kill?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Night of the Living Dead

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The Bay

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Two million fish washed ashore. One thousand blackbirds dropped from the sky. On July 4, 2009 a deadly menace swept through the quaint seaside town of Claridge, Maryland, but the harrowing story of what happened that Independence Day has never been told—until now. The authorities believed they had buried the truth about the tragedy that claimed over 700 human lives. Now, three years later, a reporter has emerged with footage revealing the cover-up and an unimaginable killer: a mysterious parasitic outbreak. Told from the perspective of those who were there and saw what happened, The Bay unfolds over 24 hours through people's iPhones, Androids, 911 calls, webcams, and whatever else could be used to document the nightmare in Claridge. What follows is a nerve-shredding tale of a small town plunged into absolute terror.

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The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.

Die Alone

Die Alone

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V/H/S/Beyond

V/H/S/Beyond

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The infinite playground of forbidden worlds and dangerous lifeforms offered by the sci-fi horror genre will lead to the biggest, maddest, bloodiest V/H/S ever.

28 Years Later

28 Years Later

Horror · 2025

Twenty-eight years after the Rage virus outbreak, a heavily-defended island survives connected to the mainland by a single causeway. When one of the group leaves the island into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.

V/H/S/94

V/H/S/94

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After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.

V/H/S/2

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Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Wrong Turn 2: Dead End

Wrong Turn 2: Dead End

Horror · 2007

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Where it lives

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Names above the title

The people responsible.

Directed by

Valeri Milev · Michael Hurst

Written by

Michael Hurst

Roger Cross

Roger Cross

Sarge

Bruce Payne

Bruce Payne

Winston

Scott Adkins

Scott Adkins

Parker

Daniella Alonso

Daniella Alonso

Matthews

Jesse Garcia

Jesse Garcia

Hernandez

Dimiter Doichinov

Dimiter Doichinov

"Grizzly" Adams

Y

Yo Santhaveesuk

Nyguyen

Court is in session

Put Re-Kill on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.