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28 Days

28 Days

Comedy · Drama · 2000

After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.

Movie details

28 Days

“The Life of the Party... before she got a life.”

2000 Comedy · Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 28 Days?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Betty Thomas

Written by

Susannah Grant

Sandra Bullock

Sandra Bullock

Gwen Cummings

Viggo Mortensen

Viggo Mortensen

Eddie Boone

Dominic West

Dominic West

Jasper

Elizabeth Perkins

Elizabeth Perkins

Lily Cummings

Azura Skye

Azura Skye

Andrea

Steve Buscemi

Steve Buscemi

Cornell

Alan Tudyk

Alan Tudyk

Gerhardt

Court is in session

Put 28 Days on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.