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The Sweet Hereafter

The Sweet Hereafter

Drama · 1997

A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.

Movie details

The Sweet Hereafter

“There is no such thing as the simple truth.”

1997 Drama 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sweet Hereafter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Atom Egoyan

Written by

Atom Egoyan

Ian Holm

Ian Holm

Mitchell Stephens

Sarah Polley

Sarah Polley

Nicole Burnell

Tom McCamus

Tom McCamus

Sam Burnell

Gabrielle Rose

Gabrielle Rose

Dolores Driscoll

Alberta Watson

Alberta Watson

Risa Walker

C

Caerthan Banks

Zoe Stephens

Maury Chaykin

Maury Chaykin

Wendell Walker

Court is in session

Put The Sweet Hereafter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.