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Shuffle

Shuffle

Thriller · Mystery · Romance · 2012

Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop - until he notices a pattern in his experience, and works to uncover why this is happening to him - and what or who is behind it.

Movie details

Shuffle

“Every day I wake up at a different age in a different year on a different day of my life. I want it to stop.”

2012 Thriller · Mystery · Romance 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop - until he notices a pattern in his experience, and works to uncover why this is happening to him - and what or who is behind it.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Shuffle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Kurt Kuenne

Written by

Kurt Kuenne

T.J. Thyne

T.J. Thyne

Lovell Milo

Paula Rhodes

Paula Rhodes

Grace

Chris Stone

Chris Stone

Dr. Orson Milo

Meeghan Holaway

Meeghan Holaway

Shelly

JoJo Henrickson

JoJo Henrickson

Minister

Dylan Sprayberry

Dylan Sprayberry

Young Lovell

E

Elle Labadie

Young Grace

Court is in session

Put Shuffle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.