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Cadillac Man

Cadillac Man

Comedy · Drama · Crime · 1990

Joe's a car salesman with a problem—he has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (he's two-timing), a missing teenage daughter and an ex-wife.

Movie details

Cadillac Man

“If you can't trust a car salesman who can you trust?”

1990 Comedy · Drama · Crime 1h 37m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Joe's a car salesman with a problem—he has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (he's two-timing), a missing teenage daughter and an ex-wife.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cadillac Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Critic

The Critic

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Johnny Dangerously

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Names above the title

The people responsible.

Directed by

Roger Donaldson

Written by

Ken Friedman

Robin Williams

Robin Williams

Joey O'Brien

Tim Robbins

Tim Robbins

Larry

Pamela Reed

Pamela Reed

Tina

Fran Drescher

Fran Drescher

Joy Munchack

Zack Norman

Zack Norman

Harry Munchack

Lori Petty

Lori Petty

Lila

Annabella Sciorra

Annabella Sciorra

Donna

Court is in session

Put Cadillac Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.