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The Alto Knights

The Alto Knights

Crime · Drama · History · 2025

Two of New York's most notorious organized crime bosses, Frank Costello and Vito Genovese, vie for control of the city's streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.

Movie details

The Alto Knights

“The most dangerous enemy is an old friend.”

2025 Crime · Drama · History 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Two of New York's most notorious organized crime bosses, Frank Costello and Vito Genovese, vie for control of the city's streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Alto Knights?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Barry Levinson

Written by

Nicholas Pileggi

Robert De Niro

Robert De Niro

Vito Genovese / Frank Costello

Debra Messing

Debra Messing

Bobbie Costello

Cosmo Jarvis

Cosmo Jarvis

Vincent Gigante

Kathrine Narducci

Kathrine Narducci

Anna Genovese

Michael Rispoli

Michael Rispoli

Albert Anastasia

Michael Adler

Michael Adler

Senator Tobey

Ed Amatrudo

Ed Amatrudo

Rudolph Halley

Court is in session

Put The Alto Knights on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.