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Road House

Road House

Action · Thriller · 1989

The Double Deuce is the meanest, loudest and rowdiest bar south of the Mason-Dixon Line, and Dalton has been hired to clean it up. He might not look like much, but the Ph.D.-educated bouncer proves he's more than capable – busting the heads of troublemakers and turning the roadhouse into a jumping hot spot. But Dalton's romance with the gorgeous Dr. Clay puts him on the bad side of cutthroat local big shot Brad Wesley.

Movie details

Road House

“Dalton lives like a loner, fights like a professional. And loves like there's no tomorrow.”

1989 Action · Thriller 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The Double Deuce is the meanest, loudest and rowdiest bar south of the Mason-Dixon Line, and Dalton has been hired to clean it up. He might not look like much, but the Ph.D.-educated bouncer proves he's more than capable – busting the heads of troublemakers and turning the roadhouse into a jumping hot spot. But Dalton's romance with the gorgeous Dr. Clay puts him on the bad side of cutthroat local big shot Brad Wesley.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Road House?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rowdy Herrington

Written by

R. Lance Hill · Hilary Henkin

Patrick Swayze

Patrick Swayze

James Dalton

Kelly Lynch

Kelly Lynch

Dr. Elizabeth Clay

Sam Elliott

Sam Elliott

Wade Garrett

Ben Gazzara

Ben Gazzara

Brad Wesley

Marshall R. Teague

Marshall R. Teague

Jimmy

Julie Michaels

Julie Michaels

Denise

Red West

Red West

Red Webster

Court is in session

Put Road House on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.