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Empire of the Sun

Empire of the Sun

Drama · History · War · 1987

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.

Movie details

Empire of the Sun

“To survive in a world at war, he must find a strength greater than all the events that surround him.”

1987 Drama · History · War 2h 33m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Empire of the Sun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Steven Spielberg

Written by

Tom Stoppard

Christian Bale

Christian Bale

Jim

John Malkovich

John Malkovich

Basie

Miranda Richardson

Miranda Richardson

Mrs. Victor

Nigel Havers

Nigel Havers

Dr. Rawlins

Joe Pantoliano

Joe Pantoliano

Frank Demarest

Leslie Phillips

Leslie Phillips

Maxton

Masatô Ibu

Masatô Ibu

Sgt. Nagata

Court is in session

Put Empire of the Sun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.