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V/H/S/99

V/H/S/99

Horror · Thriller · 2022

A thirsty teenager's home video leads to a series of horrifying revelations, harkening back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium.

Movie details

V/H/S/99

“VHS goes to hell.”

2022 Horror · Thriller 1h 49m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A thirsty teenager's home video leads to a series of horrifying revelations, harkening back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over V/H/S/99?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Flying Lotus · Joseph Winter · Maggie Levin

Written by

Joseph Winter · Maggie Levin · Johannes Roberts · Vanessa Winter

Jackson Kelly

Jackson Kelly

Kaleb (segment "Shredding")

Jesse LaTourette

Jesse LaTourette

Rachel (segment "Shredding")

Keanush Tafreshi

Keanush Tafreshi

Ankur (segment "Shredding")

Dashiell Derrickson

Dashiell Derrickson

Chris Carbonara (segment "Shredding")

Tybee Diskin

Tybee Diskin

RC (segment "Shredding")

Verona Blue

Verona Blue

Deirdre (segment "Shredding")

Aminah Nieves

Aminah Nieves

Charissa (segment "Shredding")

Court is in session

Put V/H/S/99 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.